Showing posts with label keynote. Show all posts
Showing posts with label keynote. Show all posts

Monday, 14 September 2020

Opening the Petals of the Museum without Boundaries



Ahead of Conference 2020, Keynote Speaker Andy Lowe sat down virtually with Meaghan Patterson, Executive Director / CEO of the AMA, for a conversation about ‘Museums without Boundaries’ and the big ideas transforming and guiding the work around cultural sustainability at Te Manawa Museum of Art, Science and Heritage in Aotearoa (New Zealand).
 
The interview below has been adapted from their conversation. You can watch the video interview here. Read more about Andy’s Keynote Presentation here.



Kia ora, Andy, and thank you so much for joining us here today. I know that the pandemic situation has been evolving lately in New Zealand, and we appreciate that you’ve taken the time out of your day to have this conversation with us.

What I’d really like to talk about first is your work and your leadership at Te Manawa, and how you have truly embraced transformation at the museum, which I think has strengthened both your institution as well as the community in which you reside. Are you able to give us a bit of an overview of your concept of museum without boundaries, or beyond boundaries, and how that drives the work of your team?

Kia ora. Well, it’s about inviting the community in and breaking down the museum wall, and really thinking about who feels comfortable here and asking if people want to be part of things. Museum without boundaries is about partnering with communities, thought leaders, change makers, and supporters to inspire and broker deeper connections between them and our world’s tangible and intangible treasures so that they, and we, can deliver and create relevant, engaging programs and experiences with, by, and for our communities.

It’s a long way of saying that it’s about opening up space for people to represent themselves the way they want to be represented and to be useful.


Wednesday, 11 September 2019

An Interview with Keynote Presenter Professor Helen Chatterjee



Professor Helen Chatterjee will be delivering the closing keynote address, “Museums, Health, and Well-being: The Bio-psychosocial Impact of Museum Participation,” at the Alberta Museums Association 2019 Conference. In advance of the conference, Prof. Chatterjee spoke with Ann Ramsden, Executive Director of the Arts and Heritage Foundation of  St. Albert, for an interview.


You are a professor of Biology specializing in genetics, evolution, and environment. With this academic background, how did you become interested in museological research?

I trained as a zoologist with a PhD in primatology, and my zoology research has always involved using zoology museum collections to look at morphological adaptation, evolution, and conservation of endangered species. During my PhD, I ‘inherited’ University College London’s Grant Museum of Zoology. Initially, I began as a TA, teaching using the collections, but when the Curator retired, I took on that role. I ran the Museum for ten years before becoming Director, then Deputy Director of UCL Museums for five further years. I still use the museum today for teaching and research.

During my time at the Grant Museum, I began researching object-based learning and the value of museums to health and well-being. Ten years ago, I was awarded the first ever UK research grant to explore the role of touch and object handling in relation to well-being and health, and my work has expanded from there.

Monday, 26 August 2019

A Preconference Conversation with Keynote Presenter Dr. Carol Ryff and Moderator Dick Averns

Dr. Carol D. Ryff will be delivering the opening keynote address, “Bridging the Museum Experience to Well-being and Health,” at the Alberta Museums Association 2019 Conference. In advance of the conference, Dr. Ryff sat down with Dick Averns, artist and engagement coordinator with CARFAC Alberta, for an interview. 


Averns: Thanks for sharing some insight into your work, Carol, on the Conference theme, As a Whole: Well-being, Health, and Museums. So, how does your work and research promote health and well-being, and how do you see museums as relevant?

Ryff: For the last thirty years, my research has addressed three main questions: What is human well-being? How can we measure it? And how does it matter for health? My past research has not explicitly linked museum experiences to health and well-being, although I am an advocate for work in that direction. I’m especially interested in how partaking of museums might impact people’s sense that their lives have meaning, purpose, and direction, as well as their sense that they are experiencing personal growth over time.


Friday, 5 August 2016

AMA Conference 2016 Keynote Interview: Ry Moran, Director of the National Centre for Truth and Reconciliation

In 2008, the Truth and Reconciliation Commission of Canada (TRC) was established as part of a settlement agreement between the Government of Canada and survivors of the Indian Residential School System. Through the work of the TRC, many Canadians have now been able to learn more about this dark period of Canada’s history and the lasting impacts it has on our country and its people today.

Also part of the settlement, the National Centre for Truth and Reconciliation (NCTR) was created as a depository for the information and records gathered through the work of the Commission. The NCTR, housed at the University of Manitoba, carries on the work of the TRC by continuing to share the history of residential schools and create a foundation for reconciliation through truth.

Ry Moran is Director of the NCTR. Through his work with the TRC, Ry was responsible for gathering the history of the residential school system from more than twenty government departments and nearly 100 church archives - millions of records in all. As a prelude to his upcoming keynote address and session at the AMA Conference, Miranda Jimmy, Program Manager at the Edmonton Heritage Council and Co-Founder of RISE – Reconciliation in Solidarity Edmonton, met with Ry to learn more about the NCTR and the place for museums in the reconciliation process.

Miranda Jimmy: How did you become involved with the work of the TRC?

Ry Moran: I started talking to the first Commission after attending a ceremony at Rideau Hall in 2008. When that Commission ended, I picked up the conversation with the second Commission. Initially, I bid on the TRC’s Request for Proposals for statement gathering through the business I was running. They contacted me later through their recruiting firm, Higgins International, and the next thing I knew I was being interviewed in Winnipeg. That was early January 2010, and by late January I was working for the Commission. I fully relocated to Winnipeg in March of 2010, but all of my stuff showed up right in the middle of the first national event.

MJ: While working through the mandate of the TRC, what were your biggest challenges?

RM: It was emotional work – on a regular basis, you heard terrible stories of abuse. In that, you had to provide support, kindness, and empathy to everyone involved – even when my own tank was running on empty.  You had to dig deep. The work was complicated, and it involved many uncertainties and roadblocks. Document collection was extremely complicated, and we were in court on a number of occasions. We were quite a small team, but we had a tremendous amount of responsibility. There was a lot of work and the hours were intense – at a national event, it wasn’t uncommon to work sixteen to twenty hours in a day.

Friday, 21 August 2015

AMA Conference 2015 Keynote Interview Part TWO: Mark Holmgren, CEO, Bissell Centre

Mark Holmgren, CEO of the Bissell Centre, will deliver the Saturday AMA Conference 2015 Keynote Address on Upside Down Thinking. This method of thinking utilizes unconventional propositions to force us to redefine how we think and how we see our organizations. In anticipation of his upcoming keynote presentation, David Ridley, Executive Director for the Edmonton Heritage Council, met with Mark to discuss his work with Upside Down Thinking. Click here to read Part One of this interview. 
DR: Some of these premises that have emerged from your thinking are provocative and intended to prod thinking. But there’s also a potentially demoralizing truth for those committed to the work. The museum sector, when we’re being honest about it, has its own counter-intuitive realizations that point to less than desirable results. How does one go about Upside Down Thinking without hitting a personal or organizational dead end?

MH: We have a lot of people in a lot of organizations that are already demoralized. It varies depending on what field you’re in, but all of the pressures of non-profit sector are no different: resources, talk about transformation, and the need to reinvent ourselves. A good number of people are already wondering - what is so wrong with what we are doing? For me, I am looking for tools to help people wrestle with that. A series of wicked questions would help other people develop dialogue strategies. Dialogue has a structure to it - it’s not just communicating. So I’m really into how to develop tools to help people have those difficult conversations. 

Friday, 14 August 2015

AMA Conference 2015 Keynote Interview Part TWO: Sharon Heal, Director, Museums Association of the United Kingdom


Sharon Heal, Director of the Museums Association of the United Kingdom, will deliver the Friday AMA Conference 2015 Keynote Address, Leading Change: Why Museums Can't Live in the Past. 
In anticipation of her upcoming talk, Lucie Heins, Assistant Curator for Western Canadian History at the Royal Alberta Museum, met with Sharon to discuss her work with “Museums Change Lives”. Click here to read Part One of this interview. 
Lucie Heins: Another principle of Museums Change Lives is “Justice is at the heart of the impact of museums.” Can you elaborate on this principle?

Sharon Heal: I think there are lots of ways this principle plays out. One example is equality of access to the public. This is not just about physical access, although that is very important, but also about intellectual access and emotional access. It’s about unlocking stories and giving people a voice, and making sure individual stories and community stories are respected and given room to breathe. It’s about access and public engagement, and museums are striving to reach out and be really inclusive spaces.

Thursday, 6 August 2015

AMA Conference 2015 Saturday Keynote Interview Part One: Mark Holmgren, CEO, Bissell Centre

This year's Alberta Museums Association Conference, Nurturing Organizational Resiliency, focusses on exploring the ways museums nurture organizational health and community engagement on their path towards resiliency.  As museums move towards a sustainable future, it is more important than ever to have a strong sense of social purpose, and utilize intelligent visioning and strategic foresight when engaging with communities.

Mark Holmgren, CEO of the Bissell Centre, will deliver the Saturday AMA Conference 2015 Keynote Address, on Upside Down Thinking. This method of thinking utilizes unconventional propositions to force us to redefine how we think and how we see our organizations. In anticipation of his upcoming keynote presentation, David Ridley, Executive Director for the Edmonton Heritage Council, met with Mark to discuss his work with Upside Down Thinking.


David Ridley: How did you arrive at the idea of “Upside Down Thinking” in relation to your work and personal experience?


Mark Holmgren: I never really coined the term Upside Down Thinking until a couple of years ago, but I've always felt like I think a little differently than other people. Not better, just different. About three years ago, I became involved with Tamarack [Institute for Community Engagement] and really started to talk about wicked questions. I really like wicked questions, but they’re not really the same thing as how I saw a more radical way of getting at difficult questions.

Friday, 31 July 2015

AMA Conference 2015 Keynote Interview Part One: Sharon Heal, Director, Museums Association of the United Kingdom

This year's Alberta Museums Association Conference, Nurturing Organizational Resiliency, focusses on exploring the ways museums nurture organizational health and community engagement on their path towards resiliency.  As museums move towards a sustainable future, it is more important than ever to have a strong sense of social purpose, and utilize intelligent visioning and strategic foresight when engaging with communities.
Sharon Heal, Director of the Museums Association of the United Kingdom, will deliver the Friday AMA Conference 2015 Keynote Address, Leading Change: Why Museums Can't Live in the Past. Sharon’s presentation will explore the core purpose of museums as it relates to public need. How can museums broaden access to culture, and what impact can this have on both institutions and their communities?
In anticipation of her upcoming talk, Lucie Heins, Assistant Curator for Western Canadian History at the Royal Alberta Museum, met with Sharon to discuss her work with “Museums Change Lives”.
Lucie Heins: Sharon, your various roles prior to becoming the Director of the Museums Association (MA) of the United Kingdom were mostly program and audience-based. How has this assisted you in your directorship role? Can you tell us a bit about your journey to becoming the Director of the MA?  
Sharon Heal: My background is actually in journalism, in editing and writing. That’s where my training initially was and that’s where my career developed, but I also developed events and the conference at the Museums Association. For me, there is a lot of commonality and crossover in journalism and museums. Museums are all about people, about making connections between objects and stories. Journalism is about people because when you write and edit, you consider your audience. It’s about sharing ideas; it’s about sharing practice as a museums association. In the wider sense, in a campaigning role as an association, it’s about connecting people to museums and connecting politicians, stakeholders, and funders to those really pertinent stories of the impact that museums can have at an individual level.